Who Drives Back From New York City In Gatsby's Yellow Car

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Alright, buckle up, buttercups, because we're diving headfirst into the chaotic, champagne-soaked aftermath of Gatsby's demise, specifically focusing on the burning question: who the heck drives that infamous yellow Rolls-Royce back from New York City?

The Great Gatsby's Getaway Car: A Mystery Wrapped in a Mustard-Colored Riddle

Let's be real, after Gatsby gets his pool-based send-off, things get a tad… messy. Like, "someone left a party punch bowl in the sun for a week" messy. And amidst the emotional wreckage, the question of the yellow car looms large. It's like a garish, chrome-laden elephant in the room. Or, perhaps, a slightly sun-faded canary.

The Obvious Suspects (And Why They're Not)

  • Nick Carraway: Our narrator, the moral compass of the story, and generally a level-headed chap. Surely, he'd take responsibility for the flashy beast, right? Wrong. Nick's too busy dealing with the emotional fallout, trying to salvage some semblance of decency from the wreckage, and probably having a mild existential crisis. Plus, let's be honest, Nick's more of a "walk and judge silently" kind of guy. Driving a car that screams, "I'm rich and tragic!" isn't exactly his style.
  • Tom Buchanan: Oh, Tom. The human embodiment of entitlement and casual cruelty. Would he seize the opportunity to parade around in Gatsby's car, a final, spiteful victory lap? Possibly. But here's the thing: Tom's too cowardly to actually drive it himself. He'd probably delegate the task to some hapless chauffeur, then complain about the upholstery. "It's simply too yellow, darling."
  • Daisy Buchanan: Daisy, the object of Gatsby's obsessive affection, the woman who could launch a thousand sighs (and a few broken hearts). Would she reclaim the car, a symbol of Gatsby's love and her own fleeting allure? Nah. Daisy's too busy being emotionally unavailable, probably hiding in a darkened room, wondering what to wear to her next "someone else's problem" party. Plus, she might fear the car is now unlucky.
  • Meyer Wolfsheim: The shady businessman with cuff links made of human molars. Could he be the driver? He had business with Gatsby. Perhaps he wants to keep the car as a memento. But he is a ghost in the story after Gatsby's death, and he certainly is not going to show up to a funeral.

The Unsung Heroes (Or, The Random Chauffeurs of Long Island)

So, if it wasn't any of the main characters, who was it? Here's where the real fun begins.

The Theory of the Hired Hand:

  • My personal favorite theory is that some poor, overworked chauffeur, probably named "Stanley" or "Ralph," was tasked with the unenviable job of driving the car back. Imagine the scene: Stanley, a man who just wants to finish his shift and get home to his wife and kids, is handed the keys to this monstrous yellow vehicle. He's probably thinking, "Great, now I'm going to get pulled over by every cop on Long Island. And explain what exactly?"
  • The conversation with the gas station attendant: "Fill 'er up, please." "Wow, that's a bright car. Where'd you get it?" "Uh... it's complicated."
  • The traffic stop: "License and registration, please." "Officer, I swear, I just drive it, I don't own it."
  • The parking situation: "Where am I supposed to park this thing? It takes up two spaces!"

The Aftermath: A Car Without a Home

What ultimately happened to the yellow Rolls-Royce? Did it end up in a junkyard, a testament to the fleeting nature of wealth and the perils of excessive optimism? Did it become a tourist attraction, a roadside oddity? Or did it simply fade into obscurity, like so many other relics of the Roaring Twenties?

<u>One thing is for sure: that car had seen some things.</u>

Frequently Asked Questions (The "How To" Edition)

How to avoid getting emotionally invested in a yellow car?

  • Simple: don't buy one. Or, if you do, try to keep it out of the hands of emotionally unstable millionaires.

How to drive a yellow Rolls-Royce without attracting unwanted attention?

  • You can't. Just accept your fate and embrace the spectacle. Or, you know, paint it a more subtle color.

How to deal with the emotional fallout of a Gatsby-esque party?

  • Therapy. Lots of therapy. And maybe a stiff drink (or several).

How to dispose of a conspicuous car after a tragic event?

  • Quietly, and quickly. Hire a professional, or better yet, just leave the country.

How to write a novel about the Roaring Twenties without including a yellow car?

  • It's possible, but why would you want to? Embrace the yellow! It's a symbol! It's a metaphor! It's… really, really yellow.
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